Graphite Publishing Distributed by Graphite Publishing

Founded in 2006, Graphite Publishing is an online vocal music publisher of digital scores. Graphite publishes quality compositions where excellence and accessibility meet: unique yet emotional; challenging yet appealing; innovative and enjoyable to experience. Representing some of the leading composers of choral music and art song, Graphite has been central in paving the way for digital publishing and distribution.

In addition to it’s own cultivated roster of composers and curated catalog of over 120 pieces, Graphite also distributes the music of select independent publishers and composer/publishers through it’s online Marketplace.


Music Published by Graphite Publishing

'Twas in the Moon of Wintertime (SATB)

Timothy C. Takach mixed choir, Difficulty : 4, a cappella, 3-5 min.

'Twas in the Moon of Wintertime (TTBB)

Timothy C. Takach men's choir, Difficulty : 4, a cappella, 3-5 min.

A Child's Prayer at Evening

Martha Hill Duncan high voice, medium voice, Difficulty : 2, piano, less than 3 min.

A Child's Song at Christmas

Martha Hill Duncan high voice, low voice, medium voice, Difficulty : 2, piano, less than 3 min.

A Grass-Green Pillow

Joshua Shank mixed choir, Difficulty : 5, a cappella, less than 3 min.

A Round for Hildegard

Luke Mayernik treble choir, Difficulty : 4, 1-2 instruments, percussion, 3-5 min.

A Sign of Day to Come

Timothy C. Takach mixed choir, Difficulty : 3, a cappella, 3-5 min.

A Tender Kiss by the Lake

Luke Mayernik high voice, Difficulty : 3, 1-2 instruments, piano, 3-5 min.

Alleluia, For This Day

Christopher H. Harris mixed choir, Difficulty : 4, piano, 3-5 min.

Always Singing

Dale Warland mixed choir, Difficulty : 4, a cappella, 3-5 min.

Amazing Grace

Paul John Rudoi mixed choir, Difficulty : 3, a cappella, 3-5 min.

Autumn Colours in the Canal

Christine Donkin treble choir, Difficulty : 4, piano, 3-5 min.

Ave Maris Stella

Jocelyn Hagen treble choir, Difficulty : 5, a cappella, 3-5 min.

Be Quiet, Wind

Martha Hill Duncan 2+ voices, Difficulty : 3, piano, less than 3 min.

Benedicamus Domino

Dale Warland mixed choir, Difficulty : 4, a cappella, 5-10 min.

Blessed Be the Lord, My Rock

Abbie Betinis mixed choir, Difficulty : 3, a cappella, organ, piano, 3-5 min.

Blue! 'Tis the Life of Heaven

Joshua Shank mixed choir, Difficulty : 4, a cappella, 3-5 min.

Breakable

Jenni Brandon treble choir, Difficulty : 3, piano, 3-5 min.

Child of the Heartless Wind (cycle)

Paul John Rudoi high voice, Difficulty : 5, piano, 10+ min.

Color Madrigals (cycle)

Joshua Shank mixed choir, Difficulty : 5, a cappella, 10+ min.

Conflagration

Eric William Barnum mixed choir, Difficulty : 4, piano, 5-10 min.

Controlled Burn (chamber ensemble score and parts)

Dessa, Jocelyn Hagen mixed choir, Difficulty : 3, chamber ens., large ensemble, 5-10 min.

Controlled Burn (choral score)

Dessa mixed choir, Difficulty : 3, chamber ens., large ensemble, 5-10 min.

Controlled Burn (orchestral score and parts)

Dessa, Jocelyn Hagen mixed choir, Difficulty : 3, chamber ens., large ensemble, 5-10 min.

Daisy Time

Martha Hill Duncan medium voice, Difficulty : 2, piano, less than 3 min.

Daughter Ecstatic

Joshua Shank mixed choir, Difficulty : 4, a cappella, 5-10 min.

Departure (cycle)

Timothy C. Takach high voice, Difficulty : 4, piano, 5-10 min.

Dig (Chloe), from Dog Tales

Jenni Brandon high voice, Difficulty : 4, piano, less than 3 min.

Dog Tales (cycle)

Jenni Brandon high voice, Difficulty : 4, 1-2 instruments, piano, 10+ min.

Emblem

Luke Mayernik high voice, mixed choir, Difficulty : 4, 1-2 instruments, piano, 3-5 min.

Fancy

Norman Mathews low voice, medium voice, Difficulty : 2, piano, less than 3 min.

For the Beauty of the Earth

Paul John Rudoi men's choir, Difficulty : 3, a cappella, 3-5 min.

Gamaya (SATB)

Paul John Rudoi mixed choir, Difficulty : 2, a cappella, percussion, 3-5 min.

Gamaya (equal voices)

Paul John Rudoi men's choir, treble choir, Difficulty : 2, a cappella, percussion, 3-5 min.

Grey Rocks and Greyer Seas

Martha Hill Duncan high voice, medium voice, Difficulty : 3, piano, less than 3 min.

Haragei

Paul John Rudoi, Timothy C. Takach men's choir, Difficulty : 5, a cappella, 5-10 min.

Havaa's Lullaby

Jocelyn Hagen, Timothy C. Takach men's choir, mixed choir, treble choir, Difficulty : 2, a cappella, less than 3 min.

Heart of Origin (cycle)

Luke Mayernik medium voice, Difficulty : 4, piano, 10+ min.

Heart, we will forget him!

Jocelyn Hagen high voice, Difficulty : 4, piano, 3-5 min.

Heaven Full of Stars

Eric William Barnum treble choir, Difficulty : 5, a cappella, 3-5 min.

Here the Frailest Leaves of Me

Norman Mathews medium voice, Difficulty : 4, piano, less than 3 min.

Home on the Range

Timothy C. Takach 2+ voices, treble choir, Difficulty : 2, piano, less than 3 min.

Hope (cycle)

Jocelyn Hagen high voice, Difficulty : 4, piano, 10+ min.

How Do I Love Thee?

Ola Gjeilo high voice, Difficulty : 3, piano, 3-5 min.

Hungry (from This is How You Love)

Timothy C. Takach mixed choir, Difficulty : 3, a cappella, 3-5 min.

I Come Singing

Eric William Barnum men's choir, Difficulty : 4, percussion, 3-5 min.

I Lift Up My Eyes (Psalm 121)

Jocelyn Hagen mixed choir, Difficulty : 3, a cappella, 3-5 min.

I Saw Three Ships

Jocelyn Hagen mixed choir, Difficulty : 5, a cappella, 3-5 min., less than 3 min.

I Started Out Singing

Jocelyn Hagen treble choir, Difficulty : 2, piano, 3-5 min.

I Started Out Singing (choir and orchestra)

Jocelyn Hagen treble choir, Difficulty : 2, large ensemble, piano, 3-5 min.

IKON

Luke Mayernik mixed choir, Difficulty : 4, a cappella

If I Were a Dog (SAB)

Paul John Rudoi mixed choir, Difficulty : 2, piano, 3-5 min.

If I Were a Dog (SSA)

Paul John Rudoi treble choir, Difficulty : 2, piano, 3-5 min.

If I Were a Dog (TBB)

Paul John Rudoi men's choir, Difficulty : 2, piano, 3-5 min.

Imperceptible

Jenni Brandon high voice, Difficulty : 5, piano, 10+ min.

In Flanders Fields (SATB)

Christine Donkin mixed choir, Difficulty : 2, a cappella, less than 3 min.

In Flanders Fields (TTBB)

Christine Donkin men's choir, Difficulty : 2, a cappella, less than 3 min.

In Paradisum

Christine Donkin mixed choir, Difficulty : 4, a cappella, 3-5 min.

Intonation (19 exercises for choir)

Albert Pinsonneault men's choir, mixed choir, treble choir, Difficulty : 2, a cappella, less than 3 min.

Jubilate

Paul Ayres mixed choir, Difficulty : 4, organ, 3-5 min.

Kiss (cycle)

Jocelyn Hagen high voice, Difficulty : 4, piano, 10+ min.

Lady Icicle

Martha Hill Duncan high voice, medium voice, Difficulty : 3, piano, 3-5 min.

Life

Martha Hill Duncan high voice, medium voice, Difficulty : 2, piano, less than 3 min.

Look Out Above

Dessa, Jocelyn Hagen mixed choir, Difficulty : 3, a cappella, 3-5 min.

Love/Light (from This is How You Love)

Jocelyn Hagen, Timothy C. Takach mixed choir, Difficulty : 3, a cappella, 3-5 min.

Lucy (cycle)

Eric William Barnum high voice, Difficulty : 4, piano, 10+ min.

Moon's Ending

Paul John Rudoi high voice, Difficulty : 4, piano, less than 3 min.

Neither Angels, Nor Demons, Nor Powers

Timothy C. Takach mixed choir, Difficulty : 4, a cappella, 3-5 min.

New England Songs (cycle)

Ola Gjeilo high voice, Difficulty : 4, piano, 5-10 min.

Not for that city

Paul Ayres treble choir, Difficulty : 3, piano, 3-5 min.

O Come, O Come Emmanuel

Jocelyn Hagen mixed choir, Difficulty : 5, a cappella, 5-10 min.

O Shenandoah (high voice)

Wayland Rogers high voice, Difficulty : 2, piano, 3-5 min.

O Shenandoah (medium voice)

Wayland Rogers medium voice, Difficulty : 2, piano, 3-5 min.

Orange-Mounts of More Soft Ascent

Joshua Shank mixed choir, Difficulty : 5, a cappella, less than 3 min.

Purple-Stainèd Mouth

Joshua Shank mixed choir, Difficulty : 4, a cappella, less than 3 min.

Queen of the Range

Timothy C. Takach treble choir, Difficulty : 2, piano, less than 3 min.

Quiet

Martha Hill Duncan low voice, medium voice, Difficulty : 2, piano, less than 3 min.

Rainfall

Martha Hill Duncan high voice, medium voice, Difficulty : 3, piano, less than 3 min.

Rejoice and Be Joyful

Wayland Rogers mixed choir, Difficulty : 3, organ, 3-5 min.

Rise, Rise My Soul

Wayland Rogers mixed choir, Difficulty : 3, organ, 3-5 min.

Roadside Flowers

Martha Hill Duncan 2+ voices, Difficulty : 3, piano, 3-5 min., less than 3 min.

Salve Regina

Timothy C. Takach men's choir, Difficulty : 5, a cappella, 3-5 min.

Sed Amore (But by Love) (SA)

Dale Warland treble choir, Difficulty : 2, piano, 5-10 min.

Sed Amore (But by Love) (SATB)

Dale Warland mixed choir, Difficulty : 3, piano, 5-10 min.

Serenade

Timothy C. Takach treble choir, Difficulty : 3, a cappella, less than 3 min.

Serpents in Red Roses Hissing from (Color Madrigals)

Joshua Shank mixed choir, Difficulty : 5, a cappella, 3-5 min.

Services of Snow (cycle)

Joshua Shank high voice, Difficulty : 3, piano, 10+ min.

Severance

Martha Hill Duncan high voice, medium voice, Difficulty : 3, piano, less than 3 min.

She Marries a Violinist

Martha Hill Duncan treble choir, Difficulty : 3, a cappella, 3-5 min.

She Tore a Map

Timothy C. Takach treble choir, Difficulty : 3, piano, less than 3 min.

Singing in the Northland, Volume 1

Martha Hill Duncan high voice, low voice, medium voice, Difficulty : 2, piano, 10+ min.

Singing in the Northland, Volume 2

Martha Hill Duncan 2+ voices, high voice, low voice, medium voice, Difficulty : 3, piano, 10+ min.

Smoke

Ola Gjeilo high voice, Difficulty : 4, piano, 3-5 min.

So Hallow'd and so Gracious is the Time

Paul Ayres mixed choir, Difficulty : 3, piano, less than 3 min.

Sometimes with One I Love

Norman Mathews low voice, medium voice, Difficulty : 4, piano, less than 3 min.

Songs of Fields and Prairies (cycle)

Jocelyn Hagen high voice, Difficulty : 5, piano, 10+ min.

Songs of Tekahionwake

Martha Hill Duncan treble choir, Difficulty : 3, percussion, piano, 5-10 min.

Songs of the Poet (cycle)

Norman Mathews high voice, Difficulty : 5, large ensemble, 10+ min.

Songs of the Poet (cycle)

Norman Mathews high voice, Difficulty : 5, piano, 10+ min.

Spark (To Music)

Eric William Barnum treble choir, Difficulty : 5, a cappella, 3-5 min.

Speak the Truth

Jocelyn Hagen men's choir, Difficulty : 2, piano, less than 3 min.

Starting Now

Jocelyn Hagen treble choir, Difficulty : 4, piano, 3-5 min.

Step to the Fiddle

Martha Hill Duncan treble choir, Difficulty : 2, piano, 3-5 min.

Stillness and the Night

Paul John Rudoi mixed choir, Difficulty : 3, less than 3 min.

Suo-Gân

Luke Mayernik mixed choir, Difficulty : 4, a cappella, 3-5 min.

Sussex Carol

Matthew Culloton mixed choir, Difficulty : 3, 1-2 instruments, 3-5 min.

That Shadow My Likeness

Matthew Culloton medium voice, Difficulty : 3, piano, less than 3 min.

That Shadow My Likeness (collection)

Matthew Culloton high voice, medium voice, Difficulty : 3, piano, 5-10 min.

The Ashberry Carols - I. (The Choruses of Mountain Ash)

Luke Mayernik mixed choir, Difficulty : 3, a cappella, 3-5 min.

The Ashberry Carols - II. (The Choruses of Mountain Ash)

Luke Mayernik treble choir, Difficulty : 3, a cappella, less than 3 min.

The Brook in February

Martha Hill Duncan high voice, medium voice, Difficulty : 2, piano, less than 3 min.

The Clan of the Lichens (cycle)

Abbie Betinis high voice, Difficulty : 5, piano, 10+ min.

The Dustman

Martha Hill Duncan 2+ voices, Difficulty : 2, piano, 3-5 min.

The Flower of the Field

Jocelyn Hagen high voice, Difficulty : 3, piano, 3-5 min., less than 3 min.

The Footsteps of the Gardener

Joshua Shank mixed choir, Difficulty : 2, piano, less than 3 min.

The Frozen Grail (cycle)

Eric William Barnum high voice, Difficulty : 4, piano, 10+ min.

The Last Invocation

Norman Mathews high voice, Difficulty : 5, piano, 3-5 min.

The Lobster Quadrille

Matthew Culloton treble choir, Difficulty : 2, piano, 3-5 min.

The Prayer Wind (from The Clan of the Lichens)

Abbie Betinis high voice, Difficulty : 4, piano, 3-5 min., less than 3 min.

The Star

Martha Hill Duncan high voice, medium voice, Difficulty : 2, piano, less than 3 min.

The Streets of Laredo

Timothy C. Takach men's choir, treble choir, Difficulty : 3, piano, 3-5 min.

The Sweetness of My Dreams (cycle)

Jocelyn Hagen medium voice, Difficulty : 5, piano, 10+ min.

The Time of Singing Has Come

Jocelyn Hagen 2+ voices, Difficulty : 4, piano, 5-10 min.

The Wedding is the Promise

Jocelyn Hagen high voice, low voice, medium voice, Difficulty : 1, piano, less than 3 min.

The White Birds

Eric William Barnum mixed choir, Difficulty : 4, a cappella, 5-10 min.

The Young Man's Song

Eric William Barnum men's choir, Difficulty : 2, piano, 3-5 min.

There is Sweet Music (SATB)

Matthew Culloton mixed choir, Difficulty : 3, piano, 3-5 min.

There is Sweet Music (SSAA)

Matthew Culloton treble choir, Difficulty : 3, piano, 3-5 min.

There is Sweet Music (TTBB)

Matthew Culloton men's choir, Difficulty : 3, piano, 3-5 min.

Things I Didn't Know I Loved

Timothy C. Takach men's choir, Difficulty : 4, a cappella, 5-10 min.

This is How You Love

Jocelyn Hagen, Timothy C. Takach mixed choir, Difficulty : 4, a cappella, 10+ min.

This is why we sing

Joshua Shank mixed choir, Difficulty : 4, a cappella, 5-10 min.

Three Cummings Settings

Christine Donkin high voice, Difficulty : 4, piano, 5-10 min.

Tiny Sparks

Timothy C. Takach men's choir, treble choir, Difficulty : 3, a cappella, percussion, 3-5 min.

To See the Sky

Jocelyn Hagen mixed choir, Difficulty : 3, piano, 3-5 min.

Two Carols

Matthew Culloton mixed choir, Difficulty : 2, a cappella, 3-5 min.

Two Lullabies

Jocelyn Hagen treble choir, Difficulty : 3, piano, 5-10 min.

Velvet Shoes

Norman Mathews medium voice, Difficulty : 4, piano, less than 3 min.

Veni Creator Spiritus

Timothy C. Takach men's choir, Difficulty : 3, a cappella, less than 3 min.

We'll Find a Way (alto or tenor)

Paul John Rudoi high voice, low voice, Difficulty : 2, piano, 3-5 min.

We'll Find a Way (soprano)

Paul John Rudoi high voice, Difficulty : 2, piano, 3-5 min.

Were You There?

Christopher H. Harris mixed choir, Difficulty : 4, a cappella, 3-5 min.

What Child is This?

Paul John Rudoi mixed choir, Difficulty : 4, a cappella, 3-5 min.

Whatsoever Things are True

Wayland Rogers mixed choir, Difficulty : 3, organ, 3-5 min.

Where Beauty Comes From (cycle)

Timothy C. Takach high voice, Difficulty : 3, piano, 10+ min.

Where Leaps the Ste. Marie

Martha Hill Duncan high voice, medium voice, Difficulty : 3, piano, less than 3 min.

Yellow Brooms and Cold Mushrooms

Joshua Shank mixed choir, Difficulty : 4, a cappella, less than 3 min.

i carry your heart with me

Jocelyn Hagen high voice, medium voice, Difficulty : 3, piano, 3-5 min.

love. songs (baritone)

Jocelyn Hagen medium voice, Difficulty : 5, piano, 10+ min.

love. songs (soprano)

Jocelyn Hagen high voice, Difficulty : 5, piano, 10+ min.

needle & thread (from This is How You Love)

Jocelyn Hagen mixed choir, Difficulty : 4, a cappella, less than 3 min.

1: (Easy) No divisi in voice parts, accompaniment doubles or supports vocal parts, diatonic, symmetrical phrases, textures mostly homophonic, simple rhythms, stepwise voice leading (conjunct), moderate ranges, no extended techniques, and limited sustained singing.

2: (Medium Easy) Limited divisi, voices somewhat independent from accompaniment, some chromatics, phrases may be longer or more fragmented, mostly homophonic, moderate rhythmic complexity, some difficult intervals (disjunct motion), moderate ranges, extended techniques are simple, limited sustained singing.

3. (Medium) Limited divisi, unaccompanied, or with independent accompaniment (voice parts not doubled), many chromatics, phrases of varying lengths, more contrapuntal textures, moderately complex rhythms, some difficult intervals (disjunct motion), moderately difficult/challenging ranges, extended techniques are potentially challenging, and some sustained singing.

4. (Medium Difficult) Abundant divisi, unaccompanied, or accompanying instruments are fully independent from voice parts, many chromatics and/or key changes, long and/or broken phrases, potentially little homophony, complex rhythms, many difficult intervals (disjunct motion), difficult/challenging ranges, potentially difficult extended techniques, and a demand for sustained singing.

5. (Difficult) Adundant divis, unaccompanied, or accompanying instruments are fully independent from voice parts, many chromatics and/or key changes, long and/or broken phrases, potentially little homophony, complex rhythms, extreme ranges, use of challenging or unusual extended vocal techniques, abundant sustained singing.