Joshua Shank (B&F Music) Distributed by Graphite Publishing

Joshua Shank’s (b. 1980) music has been called “jubilant…ethereal” (Santa Barbara News-Press) and “evocative and atmospheric…distilling a sustained mood most impressively” (Gramophone). He has been commissioned by ensembles such as the Young New Yorkers’ Chorus, the Cincinnati Conservatory of Music, the American Choral Directors Association, The Esoterics, the Minnesota All-State Choir and the Lorelei Ensemble (Boston). From 2004-2014, he served as Composer-In-Residence for the Minneapolis-based professional choir The Singers – Minnesota Choral Artists. During that time, he collaborated annually to expand and invigorate the repertoire for professional-caliber ensembles through innovative programming as well as new works written specifically for the ensemble.

In 2002, he became the youngest recipient ever of the Raymond W. Brock Composition Award by the American Choral Directors Association. The winning piece, “Musica animam tangens,” was premiered in Avery Fisher Hall at the Lincoln Center and has since been performed and recorded from Los Angeles to South Africa. His music was recently featured in the PBS documentary about the extensive choral tradition in the upper Midwest, “Never Stop Singing,” and his published works have sold over 100,000 copies worldwide.

Learn more at www.joshuashank.com


Music Published by Joshua Shank (B&F Music)

1. Ma Bohème

Joshua Shank mixed choir, Difficulty : 4, a cappella, less than 3 min.

2. Baquet de vin

Joshua Shank mixed choir, Difficulty : 4, a cappella, less than 3 min.

3. Pitiè de moi

Joshua Shank mixed choir, Difficulty : 4, a cappella, less than 3 min.

4. Les table et les deux verres

Joshua Shank mixed choir, Difficulty : 4, piano, 3-5 min., less than 3 min.

5. Chanson de Mariage

Joshua Shank mixed choir, Difficulty : 4, piano, 3-5 min.

A Christmas Carol

Joshua Shank mixed choir, Difficulty : 4, piano, 5-10 min.

Chansons de la Vigne (cycle)

Joshua Shank mixed choir, Difficulty : 4, a cappella, piano, 10+ min.

Sie nicht mehr gehen würde, sondern fliegen

Joshua Shank mixed choir, Difficulty : 3, piano, 3-5 min.

Trois Meditations

Joshua Shank high voice, Difficulty : 3, piano, 10+ min.

We are the Song

Joshua Shank mixed choir, Difficulty : 4, piano, 5-10 min.

love.song

Joshua Shank mixed choir, Difficulty : 5, a cappella, 5-10 min.

me(n)

Joshua Shank men's choir, Difficulty : 3, piano, 3-5 min.

rules to live by

Joshua Shank mixed choir, Difficulty : 5, a cappella, 5-10 min.

1: (Easy) No divisi in voice parts, accompaniment doubles or supports vocal parts, diatonic, symmetrical phrases, textures mostly homophonic, simple rhythms, stepwise voice leading (conjunct), moderate ranges, no extended techniques, and limited sustained singing.

2: (Medium Easy) Limited divisi, voices somewhat independent from accompaniment, some chromatics, phrases may be longer or more fragmented, mostly homophonic, moderate rhythmic complexity, some difficult intervals (disjunct motion), moderate ranges, extended techniques are simple, limited sustained singing.

3. (Medium) Limited divisi, unaccompanied, or with independent accompaniment (voice parts not doubled), many chromatics, phrases of varying lengths, more contrapuntal textures, moderately complex rhythms, some difficult intervals (disjunct motion), moderately difficult/challenging ranges, extended techniques are potentially challenging, and some sustained singing.

4. (Medium Difficult) Abundant divisi, unaccompanied, or accompanying instruments are fully independent from voice parts, many chromatics and/or key changes, long and/or broken phrases, potentially little homophony, complex rhythms, many difficult intervals (disjunct motion), difficult/challenging ranges, potentially difficult extended techniques, and a demand for sustained singing.

5. (Difficult) Adundant divis, unaccompanied, or accompanying instruments are fully independent from voice parts, many chromatics and/or key changes, long and/or broken phrases, potentially little homophony, complex rhythms, extreme ranges, use of challenging or unusual extended vocal techniques, abundant sustained singing.