Heralded for its “warm, lithe, and beautifully blended” sound (New York Times) “impeccable musicality” (Boston Globe) and unfailing display of the “elegance, power, grace, and beauty of the human voice” (Boston Musical Intelligencer) Boston’s Lorelei Ensemble is quickly becoming recognized as a source of some of the most innovative and inventive programming in Boston and beyond. Lorelei is an all-professional vocal ensemble, comprising nine women whose expertise ranges from early to contemporary repertoire, and whose independent careers as soloists and ensemble singers across the globe lend to the rich and diverse vocal palate that defines the ensemble’s consistent delivery of “exact, smooth, and stylish” programming (Boston Globe).
Committed to the expansion of the repertoire for women’s voices, Lorelei has commissioned and premiered more than fifty new works since its founding in 2007, and continues to expose and reinvent early works of the Medieval, Renaissance, and Baroque repertoires. Driven by their mission to advance the women’s vocal ensemble and enrich the vocal repertoire through forward-thinking and co-creative collaboration, Lorelei works with established and emerging composers from the United States and abroad to create new works that reveal the extraordinary flexibility and strength of the human voice.
In its publication series, Lorelei seeks to present editions of some of its commissioned works. The works chosen are pieces that have broad usefulness and appeal to other women’s vocal ensembles and choruses.
Dale Trumbore
Dale Trumbore
Dale Trumbore 
Ashley Eyre 
Jocelyn Hagen 
Rotblit/Rozenblum, arr. J. David Moore
J. David Moore 
Timothy C. Takach 1: (Easy) No divisi in voice parts, accompaniment doubles or supports vocal parts, diatonic, symmetrical phrases, textures mostly homophonic, simple rhythms, stepwise voice leading (conjunct), moderate ranges, no extended techniques, and limited sustained singing.
2: (Medium Easy) Limited divisi, voices somewhat independent from accompaniment, some chromatics, phrases may be longer or more fragmented, mostly homophonic, moderate rhythmic complexity, some difficult intervals (disjunct motion), moderate ranges, extended techniques are simple, limited sustained singing.
3. (Medium) Limited divisi, unaccompanied, or with independent accompaniment (voice parts not doubled), many chromatics, phrases of varying lengths, more contrapuntal textures, moderately complex rhythms, some difficult intervals (disjunct motion), moderately difficult/challenging ranges, extended techniques are potentially challenging, and some sustained singing.
4. (Medium Difficult) Abundant divisi, unaccompanied, or accompanying instruments are fully independent from voice parts, many chromatics and/or key changes, long and/or broken phrases, potentially little homophony, complex rhythms, many difficult intervals (disjunct motion), difficult/challenging ranges, potentially difficult extended techniques, and a demand for sustained singing.
5. (Difficult) Adundant divis, unaccompanied, or accompanying instruments are fully independent from voice parts, many chromatics and/or key changes, long and/or broken phrases, potentially little homophony, complex rhythms, extreme ranges, use of challenging or unusual extended vocal techniques, abundant sustained singing.
