Lutera

LUTHER'S CHANT Heinrich Christoph “Charles” Zeuner (1795–1857)

3-part mixed, Difficulty : 2, a cappella, less than 3 min.

Ma Bohème

Joshua Shank

mixed choir, Difficulty : 4, a cappella, less than 3 min.

Mad

Timothy C. Takach

tb choir, Difficulty : 2, piano, 3-5 min.

Magnificat

Jan Sixt z Lerchenfelsu (d. 1629) ed. Jordan Sramek and Daniel Mahraun

mixed choir, Difficulty : 3, 1-2 instruments, a cappella, 5-10 min.

Magnificat á 12

Andrea Gabrieli

mixed choir, Difficulty : 5, a cappella, 3-5 min.

Make Me One

trad. American, arr. J. David Moore

tb choir, mixed choir, treble choir, Difficulty : 3, a cappella, less than 3 min.

Malala

Joan Szymko

treble choir, Difficulty : 3, a cappella, 3-5 min.

Mantra (SATB)

Timothy C. Takach

mixed choir, Difficulty : 3, piano, 3-5 min.

Mantra (SSA)

Timothy C. Takach

treble choir, Difficulty : 3, piano, 3-5 min.

Many-Splendored Thing (from The Longest Nights)

Timothy C. Takach

tb choir, Difficulty : 3, piano, 3-5 min.

Maria Walks Amid the Thorn

David von Kampen

mixed choir, Difficulty : 3, a cappella, less than 3 min.

Mars in Retrograde

Amy Gordon

treble choir, Difficulty : 3, piano, 3-5 min.

1: (Easy) No divisi in voice parts, accompaniment doubles or supports vocal parts, diatonic, symmetrical phrases, textures mostly homophonic, simple rhythms, stepwise voice leading (conjunct), moderate ranges, no extended techniques, and limited sustained singing.

2: (Medium Easy) Limited divisi, voices somewhat independent from accompaniment, some chromatics, phrases may be longer or more fragmented, mostly homophonic, moderate rhythmic complexity, some difficult intervals (disjunct motion), moderate ranges, extended techniques are simple, limited sustained singing.

3. (Medium) Limited divisi, unaccompanied, or with independent accompaniment (voice parts not doubled), many chromatics, phrases of varying lengths, more contrapuntal textures, moderately complex rhythms, some difficult intervals (disjunct motion), moderately difficult/challenging ranges, extended techniques are potentially challenging, and some sustained singing.

4. (Medium Difficult) Abundant divisi, unaccompanied, or accompanying instruments are fully independent from voice parts, many chromatics and/or key changes, long and/or broken phrases, potentially little homophony, complex rhythms, many difficult intervals (disjunct motion), difficult/challenging ranges, potentially difficult extended techniques, and a demand for sustained singing.

5. (Difficult) Adundant divis, unaccompanied, or accompanying instruments are fully independent from voice parts, many chromatics and/or key changes, long and/or broken phrases, potentially little homophony, complex rhythms, extreme ranges, use of challenging or unusual extended vocal techniques, abundant sustained singing.