me(n)

Joshua Shank

tb choir, Difficulty : 3, piano, 3-5 min.

Meditation (Whatever Happens)

Joshua Shank

mixed choir, Difficulty : 2, piano, less than 3 min.

Meet Me for Noche Buena

Saunder Choi

mixed choir, Difficulty : 4, a cappella, 5-10 min.

Melted Into Dreams

Carol Barnett

mixed choir, Difficulty : 4, a cappella, 3-5 min.

Midnight Songs

Paul John Rudoi

low voice, Difficulty : 3, 1-2 instruments, 5-10 min.

Mighty Wind of God

J. David Moore

mixed choir, Difficulty : 3, piano

Mitzvah

Eric William Barnum

mixed choir, Difficulty : 4, a cappella, 5-10 min.

Mm MM

J. David Moore

treble choir, Difficulty : 1, piano, less than 3 min.

Moon Goddess

Jocelyn Hagen

treble choir, Difficulty : 4, percussion, piano, 3-5 min.

Moon’s Ending

Paul John Rudoi

high voice, Difficulty : 4, piano, less than 3 min.

Moonset (high voice)

Katerina Gimon

high voice, Difficulty : 4, piano, 3-5 min.

Moonset (low voice)

Katerina Gimon

low voice, Difficulty : 4, piano, 3-5 min.

1: (Easy) No divisi in voice parts, accompaniment doubles or supports vocal parts, diatonic, symmetrical phrases, textures mostly homophonic, simple rhythms, stepwise voice leading (conjunct), moderate ranges, no extended techniques, and limited sustained singing.

2: (Medium Easy) Limited divisi, voices somewhat independent from accompaniment, some chromatics, phrases may be longer or more fragmented, mostly homophonic, moderate rhythmic complexity, some difficult intervals (disjunct motion), moderate ranges, extended techniques are simple, limited sustained singing.

3. (Medium) Limited divisi, unaccompanied, or with independent accompaniment (voice parts not doubled), many chromatics, phrases of varying lengths, more contrapuntal textures, moderately complex rhythms, some difficult intervals (disjunct motion), moderately difficult/challenging ranges, extended techniques are potentially challenging, and some sustained singing.

4. (Medium Difficult) Abundant divisi, unaccompanied, or accompanying instruments are fully independent from voice parts, many chromatics and/or key changes, long and/or broken phrases, potentially little homophony, complex rhythms, many difficult intervals (disjunct motion), difficult/challenging ranges, potentially difficult extended techniques, and a demand for sustained singing.

5. (Difficult) Adundant divis, unaccompanied, or accompanying instruments are fully independent from voice parts, many chromatics and/or key changes, long and/or broken phrases, potentially little homophony, complex rhythms, extreme ranges, use of challenging or unusual extended vocal techniques, abundant sustained singing.